Jeanmarie Simpson Playwright · Actor · Director Licensing

3 to 4 performers · 2 hours including one intermission

Pineapple and Other Options

A reason to stay

Pineapple and Other Options
Synopsis

On a stormy day, a woman recovering from breast cancer calls a crisis hotline. As a new volunteer tries to keep her talking, Helen slips into a dream encounter with Elizabeth Betsy English Pennington, whose own history of capture, cultural displacement, education, and survival becomes an unexpected argument for staying alive and continuing the work.

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Pineapple and Other Options

At a glance

What a producer needs first

Cast

3 to 4 performers

Running time

2 hours including one intermission

Genre

Contemporary drama

Technical demand

Moderate

Availability

Script on requestLicensed through Upstage Left Press

Characters

3 to 4 performers to cast
Helen, 40s to 60s Recovering from breast cancer. Depressed, cynical, and wickedly smart.
AJ, 40s to 60s A retired social worker and a new crisis-line volunteer.
Jan Crisis-line supervisor. Can be performed live, offstage, or recorded.
Elizabeth Betsy English Pennington A historical figure appearing in Helen’s dream.
Staging and technical requirementsModerate

Flexible contemporary and dream spaces. Helen’s studio apartment and AJ’s hotline station are the practical base. A life-sized Venus de Milo image and a tall ladder are key visual elements, with lighting, sound, and projections supporting the transitions.

What you will need
  • A company of 3 to 4 performers
  • A slot of 2 hours including one intermission
  • Technical capacity described as moderate
  • A performance licence, granted separately from the script

Themes

What it is really about
Survival Illness Displacement Care History
I write plays to entertain in the truest sense of the word: to give serious attention to people, questions, and histories that are too often pushed aside. Jeanmarie Simpson, artist statement
In the classroom

Two substantial roles for mature performers, which is scarce material. Handle the subject with a prepared discussion; the play itself argues steadily on the side of staying.

Performance rights

Stage it

Rights are available for universities, schools, community theatres, festivals, workshops, staged readings, and independent productions.

New plays and new productions, twice a year. Nothing else.

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