Jeanmarie Simpson Playwright · Actor · Director Licensing

12 performers · 2 hours including one intermission

Mackers

The curse takes an interest

Mackers
Synopsis

During a disaster-prone preview of Macbeth, a veteran stage manager, her assistant, and a company of actors fight through superstition, accidents, egos, and escalating technical calamity as the Scottish Play’s famous curse seems to take an increasingly personal interest in opening night.

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Macbeth at Piper’s Opera House
Mackers

At a glance

What a producer needs first

Cast

12 performers

Running time

2 hours including one intermission

Genre

Comedy

Technical demand

Moderate

Availability

Script on requestLicensed through Upstage Left Press

Characters

12 performers to cast
Frankie Stage manager, veteran, holding the whole thing together.
Lenny Assistant stage manager.
Colin Playing Macbeth.
Elspeth Playing Lady Macbeth.
The company Ten performers covering multiple roles across the Macbeth production, including the witches.
Staging and technical requirementsModerate

The backstage and technical world is part of the play. Stage-management stations, sound, lighting, cues, doubling, and visible theatrical mechanics are integral to the comedy and to the escalating mishaps.

What you will need
  • A company of 12 performers
  • A slot of 2 hours including one intermission
  • Technical capacity described as moderate
  • A performance licence, granted separately from the script

Themes

What it is really about
Superstition Backstage life Ego Shakespearean inheritance
I write plays to entertain in the truest sense of the word: to give serious attention to people, questions, and histories that are too often pushed aside. Jeanmarie Simpson, artist statement
In the classroom

The largest cast in the repertoire and the one that teaches production itself. A technical theatre programme and an acting programme can mount it together, because the crew are characters.

Performance rights

Stage it

Rights are available for universities, schools, community theatres, festivals, workshops, staged readings, and independent productions.

New plays and new productions, twice a year. Nothing else.

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