Jeanmarie Simpson Playwright · Actor · Director Licensing

10 performers · 90 minutes, optional intermission

When Churchyards Yawn

A Divine Comedy

When Churchyards Yawn
Synopsis

Shakespeare’s dead are not finished with one another. In Purgatory, Hamlet, Ophelia, Gertrude, Claudius, Polonius, Laertes, Rosencrantz, Guildenstern, and the old king must climb through the seven deadly sins, building their own staircase toward Heaven while reckoning with the damage they did in life. A divine comedy about blame, forgiveness, Grace, and the inconvenient fact that salvation may be a group project.

Print a one sheet
Macbeth, the company
When Churchyards Yawn

At a glance

What a producer needs first

Cast

10 performers

Running time

90 minutes, optional intermission

Genre

Comedy

Technical demand

Moderate to high

Availability

In the collectionLicensed through Upstage Left Press

Characters

10 performers to cast
Gatekeeper Hard-boiled. Reading glasses, clipboard, quill.
Old Hamlet Ancient and exhausted.
Polonius Ancient and befuddled.
Rosencrantz Feels like a nitwit.
Guildenstern Blames Rosencrantz.
Ophelia Innocent and furious.
Gertrude Spitting mad.
Claudius Younger than Hamlet Senior, nauseatingly contrite.
Laertes Charming and profoundly codependent.
Hamlet Last to arrive, not finished with anybody.
Staging and technical requirementsModerate to high

Physical ensemble staging. Medieval detritus and theatrical junk gradually transform into an uneven staircase toward a blue portal to Heaven, with a contrasting red portal to Hell.

What you will need
  • A company of 10 performers
  • A slot of 90 minutes, optional intermission
  • Technical capacity described as moderate to high
  • A performance licence, granted separately from the script

Themes

What it is really about
Shakespearean inheritance Forgiveness Blame Grace Mortality
I write plays to entertain in the truest sense of the word: to give serious attention to people, questions, and histories that are too often pushed aside. Jeanmarie Simpson, artist statement
In the classroom

Pairs directly with a Hamlet unit. Students meet the play’s dead as people with unfinished arguments rather than as plot outcomes, which reopens the text for discussion. Ten roles of comparable weight make it workable for a full class.

Performance rights

Stage it

Rights are available for universities, schools, community theatres, festivals, workshops, staged readings, and independent productions.

New plays and new productions, twice a year. Nothing else.

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