Jeanmarie Simpson Playwright · Actor · Director Licensing

1 performer · 50 minutes

Ghosts of the Gilded Stage

A life in the theatre

Ghosts of the Gilded Stage
Synopsis

An aging theatrical veteran, Alban Matthews, facing mortality within roughly six months, examines the contents of an old theatrical trunk. Each object opens another room of memory, from first roles and old superstitions to artistic wounds, queer survival, failure, triumph, and the peculiar grace of learning how to leave the stage.

Print a one sheet
Jeanmarie Simpson as Anne Hathaway in Shakespeare’s Will
Ghosts of the Gilded Stage

At a glance

What a producer needs first

Cast

1 performer

Running time

50 minutes

Genre

Solo drama

Technical demand

Minimal

Availability

In the collectionLicensed through Upstage Left Press

Characters

1 performer to cast
Alban Matthews A veteran actor, no longer young, with theatre in his bones, and terminally ill.
Staging and technical requirementsMinimal

A ghostlight, a weathered theatrical trunk, a Victorian parlour chair, a small side table, a clothes rack, a donation box, a rubbish bin, a skeleton key, and scattered costume and prop pieces. Lighting and sparse music or sound support the memory transitions.

What you will need
  • A company of 1 performer
  • A slot of 50 minutes
  • Technical capacity described as minimal
  • A performance licence, granted separately from the script

Themes

What it is really about
Artistic legacy Queer survival Memory Belonging Mortality
I write plays to entertain in the truest sense of the word: to give serious attention to people, questions, and histories that are too often pushed aside. Jeanmarie Simpson, artist statement
In the classroom

A study in object work and in playing age. The trunk gives a student performer a structure of physical tasks to hang the memory work on, which makes it unusually teachable.

Performance rights

Stage it

Rights are available for universities, schools, community theatres, festivals, workshops, staged readings, and independent productions.

New plays and new productions, twice a year. Nothing else.

Sign up